VELAZQUEZ, Diego Rodriguez de Silva y
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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VELAZQUEZ, Diego Rodriguez de Silva y Filipu Prince oil painting


Filipu Prince
mk237 1659 Oil on canvas 128.5x99.5cm
Painting ID::  54809
VELAZQUEZ, Diego Rodriguez de Silva y
Filipu Prince
mk237 1659 Oil on canvas 128.5x99.5cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Princess oil painting


Princess
mk237 1660 Oil on canvas 212x147cm
Painting ID::  54810
VELAZQUEZ, Diego Rodriguez de Silva y
Princess
mk237 1660 Oil on canvas 212x147cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Head-Portrait of Young boy oil painting


Head-Portrait of Young boy
mk237 1617-1618 21.8x16.8cm
Painting ID::  54811
VELAZQUEZ, Diego Rodriguez de Silva y
Head-Portrait of Young boy
mk237 1617-1618 21.8x16.8cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Girl oil painting


Girl
mk237 1618 15x11.7cm
Painting ID::  54812
VELAZQUEZ, Diego Rodriguez de Silva y
Girl
mk237 1618 15x11.7cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Girl oil painting


Girl
mk237 20x13.3cm
Painting ID::  54813
VELAZQUEZ, Diego Rodriguez de Silva y
Girl
mk237 20x13.3cm
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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